Head study for "Gaze"

This one is a head study for an upcoming piece i'm working on. It will be a full figure piece with a bit of a theme to it. The head study was done in graphite and white pastel. Leads used for the darks were F, HB, B & 2B. The white pastel is Derwent colorsoft which allows for a very smooth blend. Paper used was Canson Pastel Paper (gray toned). The line process took me a few days and the shading probably about 2 days. 

Poets and Artists

My portrait drawing of artist Sonja Ljubicic is featured in issue 37, August 2012 issue of Poets and Artists Magazine. Info on my process for this particular drawing as well as my bio/info and Sonja's bio/info are included in the article.

Sonja step-by-step

             

This is a basic step by step for my new piece, "Sonja". Drawn in graphite using Canson 11x14 Sketch Paper. Other tools used: Kneaded eraser, Graphite Pencils (H, F, HB and B), Eraser Pencils.

After laying down my line work, which consists of loose rendering, i refine the lines until they are as close to accurate as possible and erase the stragglers because they distract me. Once most of the stragglers are gone, i begin shading. I don't stick with one method because it becomes boring and stale and keeps me from experimenting and learning. Breaking tradition is a good path to expressing your own individual self. ;) I began by laying in some of the darkest darks (eyes and a bit in the hair). From there i went into light shading and worked into building and turning the form from light to dark.

Using an eraser, i lift out areas around the eyes and side of the face to establish the reflective light. I tried to stick with the original idea of 'Sonja's hood' but scrapped that idea and went for a full head and hair. The second idea was to have a long ponytail which i really loved. But i wanted to keep the light on the back of her neck and had to sacrifice the long hair for a bun, which made more sense. 

-Ed

Backside 2

Here's a quick sketch i did in the tradition of my original version of 'Backside'. While working on other projects tends to tighten you up, i thought it would be more relaxing to loosen up with a quick sketch based on an old drawing with a slight difference while using a different medium. The paper i used was Canson Pastel paper. The paper has a rough and smooth side. This was drawn on the smooth side using red and white chalk as well as white pastel. Mild finger blending in the buttock area but the rest was drawn loose. The white pastel was more oil based and held stronger after the drawing was sprayed with a fixative (which fades out white chalk). 

Rodin's 'Adam' - Study

This one is based on Auguste Rodin's 'Adam'. To many, considered one of the greatest sculptor's of all time. I left this one 'unfinished' to a degree where you can see my basic starting point of loosely drawing the figure up to light shading and final shading. It's a small piece, but one of those loosely based drawings that i enjoy having fun without getting too tight and technical. Freeform takes the edge and seriousness of completing a fully rendering drawing with all the artist rules intact. This is one of those that keeps me in artistic shape without committing to anything too serious. I used Canson Sketch paper which is partially smooth and has just enough tooth to soak up the graphite well.                                          

Lindita

 I used the same paper i used for my 'INFERNICUS' piece. Canson Sketch pad on acid free paper. The only tool i used for blending were the pencils (Kimberly Graphite Pencils 2H, H, HB, B) i normally use and a little finger blending near the left cheek and chest. The texture of the paper is semi-smooth/rough. Good for smooth blending but eats up your HB's and B's. I prefer a little bit more tooth. Using this pad was an experiment at the time but as i got deeper into the drawing, it became finished work. The Canson pad is great but i don't think the Kimberly Graphite pencils hold up well with it. I'm happy with the drawing and finished just in time for Lindita's birthday. :)

INFERNICUS

My 2nd rendition of Lucia Infernicus from Glenn Danzig's Verotik. I tried to find as many references as possible for her from my own personal collection and from online pics. I realized that she makes an appearance in Satanika Tales (an issue I don't seem to have). A handful of different artists have taken a stab a drawing her and as much as I liked all of them, I stayed with the 3 artists who I think captured her best for what I wanted to do. Those artists are Simon Bisley, Joe Chiodo and Dan Brereton.

           

           Bisley

Chiodo

Brereton

I also added, The Inquisitor, who is also a Verotik character. This particular one below was painted by Simon Bisley.

The first few stages of my drawing began with the full figure of Lucia with her hands behind her back. There were other ideas but this is the one that seemed to flow better. Sorry guys, didn't take pics. The pics i did take were of her face in step by step form.....

Here is a very quick sketch of the basic shape of the head, eye, nose and lips. This is where I establish the basic idea (although the full figure had been drawn and finished already) so I wasn't too serious about proportions just yet. Everything is basically light and loose. Also, basic light, shadow and reflective light were added. Keep in mind, this was an old drawing sitting around in my pad for some time, so my approach was somewhat different back then. I added what I know now to the finished work.

Here i started shaping the form of the face a bit more. I softened up the shape of her chin, established the lighting on her nose as well as making it thinner, rounded her eye socket and shaped her cheek bone. Now she looks like a girl. ;)

Thinned her cheek bone a bit so that her proportions were correct. Added the ear (which you see in the finished piece), detailed the lips and added the eyebrows. Here you see where i placed what are supposed to be scars on her face that stretch down from through her brow to under her eye. This was the last part of her face. The Inquisitor was done a little more loosely to not take away from her face which is basically the focal point of the drawing. The lettering was done with Roman lettering in mind based on the Trajan system that they used for coins. I wanted the lettering to look like it was carved and a bit sloppy so i did it by hand without using a ruler.